Play around with it! I’m sure you’ll end up wondering how you managed without it. There’s still so much more that you can learn about the pick whip, but even the fundamentals I’ve described here can be enormously beneficial. A dental extraction (also referred to as tooth extraction, exodontia, exodontics, or informally, tooth pulling) is the removal of teeth from the dental alveolus (socket) in the alveolar bone. Now, you can parent any of the individual transform properties to any layer you want. You can actually parent any of the individual transform properties between any layers you want to. If you drag that from one layer to the opacity of the layer above, you can now effect the opacity of both layers by just controlling the one. You can see in the screenshot below that there’s also a pick whip icon on each layer next to the opacity property. There’s a solution to this and it’s fairly simple. However, in the example I’ve just used here, you cannot control the opacity value of these layers using the null object. Opacity Here, you can’t control the opacity value of the layers using the null object. One thing to note is that the layers will rotate around the anchor point of the null object, not their own anchor points. Once you have done this, you can simply animate all the layers using the null, as shown in the screenshot below. If you select all the layers you wish to animate, you can drag the pick whip from the top layer to the null object, and it’ll parent all of them to it. Rather than animate them all individually, you can simply parent them to a null object and add the keyframes to that layer. In the screenshot below, you can see that I’ve got multiple layers that I want to animate in unison. The pick whip really comes into its own, though, when you start working on more complex projects. The shape layer is now moving with the text layer. The screenshot below shows me parenting the shape layer to the text layer using the pick whip, resulting in the shape now moving with the text. When you have parented a layer to another, it’ll take on any changes in scale, position, and rotation that the layer it’s parented to goes through. There’s a pick whip icon located on each layer, as shown below. It allows you to “parent” one layer to another. The text has moved while the shape layer has remained. If you have finessed your keyframes on your text layer using the graph editor, it will be quite laborious to create the exact same keyframes on the shape layer. You can see in the screenshot below that the text has moved without the shape layer. Let’s explore what it does and how to use it.Īll too often, you create a nice animation on a text layer using keyframes, before realizing that you want a shape to move with the text so that the shape and text move together. There are also color-contingent motion aftereffects, and other varieties of these phenomena.The Pick Whip is a motion graphics game-changing tool in Adobe After Effects. This is because the effect is retino-topic, that is, the effect is dependent on the orientation of the test lines on the retina. The illusion will reverse if one rotates one's head 90°. Furthermore, the orientation-color contingencies present in the illusion are the reverse of those present in the adapting stimulus (i.e., the magenta-vertical and green-horizontal adaptation gratings produced illusory magenta on the horizontal test gratings and illusory green on the vertical test grating). Therefore, the illusory color apparent on the test fields is contingent on the orientation of the lines in that test field. The verticals will look green and horizontals pink in the example given. After a few minutes of induction (5 or more is best), followed by a break of a few minutes, black-and-white vertical and horizontal gratings will appear colored. One can induce the aftereffect by exposure to a magenta and black vertical grating alternating with a green and black horizontal grating. The McCollough effect is one of a family of contingent aftereffects related to the processing of color and orientation. For instance, visual contingent aftereffects, auditory contingent aftereffects and haptic contingent aftereffects have all been discovered.Īn example of a visual contingent aftereffect is the McCollough effect. Contingent aftereffects have been studied in different perceptual domains. Contingent aftereffects can be contrasted with simple aftereffects, the latter requiring no test stimulus for the illusion/mis-perception to be apparent. In human perception, contingent aftereffects are illusory percepts that are apparent on a test stimulus after exposure to an induction stimulus for an extended period.
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